Saturday, November 20, 2010

Ann Arbor Pubic Waxing

Stars of the night.

This story has been selected for the anthology New Authors Science Fiction # 6. A collection that I really wanted to participate much.



From the beach, the sun's disc appeared unusually large. Her aura cloaked every detail of a red-orange tint, which made everything vague and undefined, as if the figures, the shapes, the boundaries of each element on the scene were carved in copper glow. So was the rocks in the sea, for the dense forest and houses in the distance.
One would have thought the star of another system, and a distant planet that was not the Earth.
A blanket of white clouds approaching from the east seemed immune to quell'aggressione color, and even the ocean, intensely green and crystal clear, let it contaminate. Land, sea and sky seemed to have been collected from different worlds, and forced into a harmonious co-existence so as unnatural.
Among the hiss of the wind and the roar of the waves on the shore, they heard the neighing of a wild horse, galloping on the beach. It was black and fast.
-Here, my son, he '.- very careful Kefalios Luan said the following on-screen horse in motion.
the perspective changes suddenly, moving to the sea, and then the scene is interrupted, and in its place appeared a crowd of people immersed in the chaos of a big city.
Luan Kefalios waited a few seconds, because the next scene was over, and shot a glance to his apprentice that required a response.
Teacher, what I should see?
-before scene change, you have not noticed anything, kid?
-Behold, I ...
-Perspective, burdock. The perspective was changing.
-You are right, master.
-The change of perspective is often a prelude to a scene change. Notice certain details is not easy, the speed at which the dream takes place, but you get used to. Security during the polls there is no time to rewind the recording and see it more carefully.
Bardan Safarian silent.
-whenever you can, shoot the dream from the beginning and study it well, right? If we do now - Luan muttered with a hint of annoyance, pointing to the government in full armor behind them-this' man Immediately notify your supervisor.
-I will, Maestro Kefalios.
Due governativi entrarono nella sala. L’uomo che aveva sognato fu scollegato dalla macchina, risvegliato e congedato. Prima che se ne andasse, Bardàn lo vide scoccare un’occhiataccia attraverso la vetrata, come se quello potesse vederli.
-Sembra arrabbiato.- osservò il ragazzo.
-Lo saresti anche tu, se una volta al mese entrassero nei tuoi sogni.- sussurrò Luan.
Il maestro pensò con sollievo che mancavano solo tre sondaggi per completare il consueto ciclo di venti della mattinata. Il Governo pretendeva sempre più efficienza e rapidità: una maggiore frequenza di interventi significava un controllo più capillare della popolazione.
Like the previous times, burdock activated voice recorder, and Luan declared:
Poll-security bar two hundred and seven seventeen. Males, twenty-eight years, identified as Andras Saudan, registration 5:00 to 7:00-three-three. Analysis of basic components. Sea: high-spiritedness. Sky with clouds: average sense of freedom. Red sun with Earth: weak grip on reality. Horse: good physical health. Not distinguishing marks. Conclusions: elements of good physical health with slight signs of mental confusion, dreams, falling within the norm. Aptitude for rebellion against the central power, nothing. Governable subject.
Bardan listened carefully, and then, as usual, got up and said staff outside to enter the next subject.
In the hall, escorted by the two governments, the subject appeared at number eighteen. She was a young woman had dark skin. Burdock think it was beautiful. Her hair was very short and his eyes were stars of the night thinking about.
stretch was made, and the procedure began.
While asleep, the boy felt a sharp pain in her stomach. For the first time since the beginning of the internship, she was afraid Luan recognize signs of danger to society in the subject that was explored.
The dream of the woman began, and burdock contemplated his teacher get down to work.
Un neonato era adagiato su una grande foglia di felce, al chiaro di luna. Un grosso lupo lo portò via come se volesse sbranarlo, ma il piccolo veniva accolto nel branco. Poi comparve una stanza le cui pareti erano trasparenti.
Lo sguardo di Luan Kefalios sembrava rassicurante: non sembrava che quella donna corresse alcun rischio di essere arrestata. Ma Luan era pur sempre un servitore del potere centrale. E un giorno, lo sarebbe diventato anche lui. Era o non era lì per questo?
Bardàn sapeva che il sogno, quello vero, che si svolgeva nell’inconscio della ragazza, era piuttosto diverso da quel che lui e il maestro potevano vedere. La Macchina realizzava la migliore riproduzione possibile, anche se le immagini dreams were not exactly something that could be reduced to a purely visual representation. But for the inspection operations carried out by the Government was more than enough.
finished watching, Luan snorted for boredom, and recorded his assessment of the rite. It does not appear that there were signs of rebellion against the central power, and burdock breathed a sigh of relief, even if the idea of \u200b\u200bnever again the subject eighteen (learned from registration called Myriam) gave him a deep sorrow.
-One moment, Master Kefalios .- It was the voice of the attendant, who had burst into the room.
-Rewind the dream to the scene of a wolf, please .- ordered.
Luan Bardan motioned to obey, and soon after he glanced to the Governor, who blushed and looked down. It must have been him to request the intervention of others.
-What 's that? - Bared the Supervisor indicating a small embossed logo on the back of the wolf in the still image. It was a kind of red comma.
-What? Oh, that? It's nothing. A symbol of causation. There are a dozen in all dreams, and have no value .- Luan reassured him.
The image was magnified.
-A random symbol? The emblem of the Party of Liberation, a random symbol? I wonder of your superficiality, Kefalios! Arrest that woman .- exclaimed the other, turning his henchmen.
Luan strongly protested, knowing that it would be useless.
The Government was using the kind of characters to control the work of interpreters. Unlike these, the supervisors had no training to understand and decode your dreams, and their role was purely political. And often they clung to such insignificant details in the thought lurks the seed of revolt.
Before being taken away, Miriam was able to stretch out your arms and open palms on the glass. They had already been handcuffed.
For a moment, Bardan seemed to him that she had seen, even though he knew that was not possible. The boy wanted to do something, but he knew that against a decision of the Supervisor nor the opinion of the Interpreter could exonerating evidence. Imagine what he could to serve the word of a young apprentice.
Bardan thought he would never forget the night that the stars were shining in his eyes sad.
Luan and the boy performed the last two polls of the morning and then left the Ministry of Security.
Like other times, they walked towards the Old Town. That day was a wonderful time, and the sun shone in the clear sky king, and the crescent moon was rising so clear that there were distinguished profiles of the colonial settlements that cover most of the area. The traffic at high altitude, above their heads, was scarce, and the air was fresh and clean. But instead Bardan
darkness reigned.
-Master, - said the boy, sighing, that symbol was really insignificant?
-It's my apprentice who asks me, or fawn in love?
Bardan looked down.
-I am not sure you want to learn your art .- then answered feebly.
-Male. You can do much good to the community, boy, when you become an interpreter of dreams.
A lot of good. He thought the young man. Stop people who just want to live in freedom. Really a lot of good.
was now a month that had been entrusted to Bardan Luan, and it was not the first time I witnessed an arrest. Actually happened rarely, and almost always due to the interference of Supervisors.
Yet, once it was precisely to find Luan signs of rebellion in an individual, and to ensure that it was imprisoned. It had been an old man and very shabby.
All those arrested were decontaminated. In other words, their personalities would have been largely eradicated, and would be supplied to them a new identity. The germ of the revolt was thus eradicated forever.
The two reached the crossroads at which they would have said goodbye to each take their own way.
As usual, the young man bowed his head as a sign of respect, and took his leave:
-Thanks for your teachings. To-morrow, master.
that day, for the first time, Luan did not return his greeting, but declared:
-I think you're ready for the second phase of the apprenticeship, burdock Safarian.
The boy turned pale. No one had ever said that there was a "second phase". Moreover, no one had ever even explained too much of the society in which he lived.
was just an apprentice interpreter, and at that time the only dreams that they knew its meaning.
Or at least, it is an illusion that was.

****

a good interpreter could do more to explore beyond the dreams of potential subversives. That was a duty, to which the best were called by the government. But otherwise, the task of dream interpretation, which came from an ancient tradition, could be practiced freely. Many, among them the same Luan, feared that sooner or later that freedom was suppressed. There was
was a time in the distant past, when the interpretation of dreams was not performed due to the machines. Interpreters listened simply the words of the dreamer and were obtained by a verbal explanation. The art of reading the dreams had originated in religions and systems of thought in the most remote antiquity. Often, during certain periods had been banned, but then, at the beginning of the industrial era centuries earlier, it had been discovered the therapeutic value, and through, many people had been treated the worst diseases of the mind.
Then, the advent of the first machines for the survey had done the rest: to read the dreams, have access to essi, non era più tanto difficile, se si disponeva del denaro sufficiente per acquistarne una.
Una buona macchina poteva fare molto: riproduceva il sogno, lo rendeva comprensibile, inseriva suoni e rumori che nell’inconscio del soggetto erano assenti, e creava una versione audiovisiva che ne rappresentava una efficace approssimazione.
Ma comprenderne il significato profondo, il senso che si celava dietro alle immagini che componevano scene e sequenze, era di certo un talento ad appannaggio di pochi.
Fra quei pochi, vi era senza dubbio Luan Faruk Kefalios.
-Non è un posto in cui ho portato tutti i miei apprendisti, questo.- disse il Maestro mentre infilava una chiave nella toppa di una old iron gate in an alley.
After they arrived, they came down a stairway and passed a door. Burdock saw a dozen people who sat on the dirt floor of a room by the peeling walls. On entering, none of them said nothing, but some looked at him suspiciously.
Luan opened a door, ushered the boy pointed to a chair, and said
-You'll stay for as long as you like. Just remember to keep quiet.
Then, after a pause he added: - I do not fall asleep no one here .- and smiled.
Luan sat at a desk and shouted towards the door: Next-
the first! An elderly
woman came in, pulled back the door and sat down in front of the interpreter. After the pleasantries, he came to the point.
-I dreamed of a lame horse, Luan. A parade of Lipizzaner .- The woman spoke with an accent that denotes its popular origin. It seemed an expert on horses. Certainly worked in the imperial stables. -And you know what? - Continued-All 'quick start trotting. And then, appears to be a militiaman. And that stupid animal starts to limp. When I woke up I hurt my legs, damn it!
-Enough? - Said Luan.
-And what else can I say!
-L 'interpretation is simple, Iris. You're a strong woman. The horse represents your vitality, but the government tries to break it. But you resist. Keep it up. When you make the next poll?
-in two weeks.
-D 'agreement. Try to be assigned to you. Is there anything else you want to say?
No, what the hell should I say more? I do not recall another .- said the woman with sullen air, but satisfied. A
Bardan Luan words sounded contrived and contradictory.
After that Iris, the boy witnessed the interpretation of dozens of other dreams.
Luan was not using machines, the words of those people were more than enough for him. In addition, it was evident that the interpreter did not apply at all standard parametric criteria. The horse's dream, Iris, for example, should not represent his physical health, by the book? What was instead the "vitality" that Luan had spoken? And that was not the only example of the total distortion of the fee he had witnessed that afternoon in the basement of Luan Kefalios. The sea, which according to standard criteria represented the spirit, had now been referred to as a sign of purity, and the sky (freedom?) Was explained in a dream as the Society of the Stars (an interplanetary shipping company), and in another hand like a long journey to the moon ... not to mention the fact that Luan was continually questions, and they sometimes contradict each other, or they added details in short, without the aid of a machine, as it was possible that the interpretation had an objective value? And what sense would there be if he had not?
Bardan felt confused and uneasy. At first he had not even realized that in spite of its role as a government employee surveys Performer security, Luan had done nothing but encourage all those individuals in the rebellion, while urging them to remain cautious in the shadows. There was no doubt that their dreams were replete with what the government would be classified as "unequivocal signs of subversion."
Forse Luan era impazzito? O peggio, era un emissario del Partito della Liberazione? Se le cose stavano così, ora anche lui poteva essere considerato un pericoloso elemento ribelle… Bardàn fu preso dall’angoscia, e dopo che l’ultimo soggetto ebbe ricevuto la sua interpretazione, chiese il permesso di congedarsi. La sua voce tremava.
Il ragazzo si alzò e prese la direzione della porta. Ma Luan fu più svelto, lo raggiunse, e sulle prime Bardàn temette che gli impedisse di uscire.
-Oggi hai visto due realtà molto diverse fra loro, figliolo.- sibilò il maestro fissandolo negli occhi. -La prima, ti permetterà di sopravvivere. Ma la seconda farà di te un essere human. Up to you to choose from. With my heart in my throat, burdock came, he climbed the stairs, and walked hurriedly into town. The sun was now well advanced, and the sky was streaked with large red brush.
But it was not to pacify his mind.
That night, burdock Safarian dreamed of a winged monster that took possession of him, and threw it on the rocks of a deep and troubled sea, and his body was not found again.
Upon awakening, he decided it would interrupt his apprenticeship and abandoned forever the insidious way.


Many years later.


I do not know what fate has gone to meet my teacher, but I like to imagine that you spend more in return to the people who go to a freedom that he felt lost.
Forty years since the day I Kefalios Luan revealed his illegal activities, what better reminder of those times is my naivety. It was thanks to this, he chose me.
My old man had only ever tried to escape the clutches of the government any person who had been forced to explore, as a part of me, before I put aside everything else, had always suspected him, and warned the power he had.
Se si fosse opposto, lo avrebbero arrestato. Perciò, sondava e scagionava tutti quelli che poteva, occultando la vera interpretazione dei sogni e fornendo al Governo una versione tanto falsa quanto tranquillizzante.
In merito all’anziano, il solo uomo che di sua iniziativa aveva fatto arrestare, be’, mi disse che era il suo migliore amico, il cui più grande desiderio era dimenticare gli orrori che aveva sopportato nel corso dell’esistenza. Perciò loro due si erano detti addio il giorno prima, e si erano messi d’accordo affinché quello passasse per un ribelle, perché così gli avrebbero cancellato la memoria e avrebbe vissuto in serenità quanto gli era rimasto.
Alle volte i Supervisors had imprisoned some, this is true, but if instead of Luan there was another, it certainly would be many more. Thanks to him, many women and men had saved his life, and could fight for that dark period of our history would end.
On me, it's just a few years, I've really found peace.
To be precise, it happened three years ago.
I was in my office and I was cleaning the electrodes of the machine. The current ones are so sophisticated as to fade the rudimentary tools that were used at the time of my apprenticeship.
He came to me a man. His name was and said he was sixty years old Kenner. On the face scratched bore the marks of time and suffering. When he entered, looked around as if the environment is to his family, as if looking for something. Her smile was fraught with melancholy.
I knew there was a woman in the hall waiting for him. She had come with him. Maybe it was his wife.
Kenner told me he had a recurring dream and I asked him to hook up. After some hesitation, accepted. He also said that it was his first time.
I did relax, and just touch him because he slept: the man had a great desire to break free from something that oppressed him.
I linked the electrodes and turned on the machine. With some confidence, overcame layers of knowledge logic, rationality, and the simple calculation of the total. In a short time reached its deepest unconscious, and I let her go to the floating mass of images that you met.
There was a forest, the sunset. There was no trace of human beings, in addition to Kenner. I was him, for the duration of the dream.
My machine is a latest generation model, the old screens are passed, today the dream interpreter enters the stream and lives by himself, as if it were their own. With all of the images and sensations. With all the equipment of anxiety, excitement, pain, fear, joy, tenderness or love. You a risky technique, and there are prescribed limits that is not healthy to overcome.
The night was about to descend on the forest. A subtle anxiety was rising fast. You could hear the roar of the beasts, the barking of the wolves and the squeak of lesser animals. I was armed and ran. Someone who had obeyed my own likeness. Kenner Kenner giving commands. Kenner was taking orders from Kenner. I was a prisoner of myself.
I was surrounded by a pack of wolves. I was terrified, and began to shoot. It killed many, but one that I caught with ease. The animal did not oppose any resistance.
In a later scene, I found myself in a room full of tunnels, corridors and behind closed doors. The room was getting bigger, and the walls were white. Eventually it became a real labyrinth. It was impossible to escape, there was no ceiling, and it was not possible to scale the walls, because they were high and smooth.
Between the folds of the labyrinth I saw my wolf, and turned a corner to reach it. I began to walk faster and faster, gave chase. I was running.
I managed to grab it, and my hands turned into a puppy dog. It was white with small black spots. I went up and stroked. The dog began to wag his tail and licked my hands. I gave him water and some food.
Suddenly I found the exit of the maze, and left him go. I was naked, unarmed and wearing no clothes. While the puppy away, I saw him turn back into the wolf, which was launched in run up to the forest.
was already far away now, but I knew that on his neck ... there was a small red point.
I was suddenly assaulted by a chaos of emotions, which in part were those of Kenner, in which I had identified with, and that also came from my lived.
Instinctively, I grabbed the electrodes and the readiness to break away from my head. I curled up on myself. I felt pain in its pure state, and it took several minutes to recover.
An interpreter should never have access to the unconscious a person with whom he shared a part of life, however brief it may have been.
At that moment, Kenner awoke, and he began to return to the state of consciousness.
While hanging in limbo for a few minutes to look at us in silence. Him lying on the couch, I sat beside him. Each with its own memory of that day, but with the same dream just experienced.
When I seemed to have returned in force, broke the silence.
-She was a governor, is not it? She was forty years ago, to call the supervisor .- murmured. -She was, to make it stop.
-so that I did run away after a few days. Più tardi, entrai anch’io nella resistenza.- si limitò a replicare.
-Sì, è quel che ho visto, nel sogno.
-La fuori c’è qualcuno che conosce, dottor Safarian.- sussurrò Kenner, mentre le lacrime iniziavano a rigargli il volto.
In qualche modo lo avevo saputo sin dal momento in cui era arrivato. Quel che non sapevo più, invece, era chi fra noi due fosse l’Interprete dei Sogni, venuto a guarire le ferite dell’esistenza dell’altro.
Ormai era la sua donna, ma non aveva importanza.
Mi alzai, e uscii dallo studio, sperando che negli occhi di Myriam avrei rivisto ancora, per una volta, le stelle della notte.

Friday, November 19, 2010

Lost Vip Combinationation Lock

Nasf 6: winner selected.

published the list of selected for the anthology Nasf 6, forthcoming. Daniela Picchi, which are my warmest congratulations, is the winner of the sixth edition of " New Science Fiction Authors .


The output of the collection is expected by the end of the year.
I selected are: Daniela Picchi, Giuseppe Picciariello, Robert Marzano, Matteo Mancini, Marco Greganti, Mauro Cancian, Alessandro Castelli, Domenico Verrengia, Andrea Viscusi, Cinzia Bettineschi, Luigi Rinaldi, Philip Fine, Caterina Venturi, Bortolozzo Diego, Henry Arland, Diego Vagnozzi, Gloria Scaife, Mark Best, Luke, Romans, Ser Stefano, Raffaele Nucera, James Scott, Andrea Andreoni, Michele Angelo Deliso, Ciro Giordano, Guido Pacitto, Riccardo Carli Ballola, Valerio Tosi, Francesco Troccoli, Federico L. Granzotto, Antonella Iacolare, Jonathan Concas, Andrea Franceschini, Filippo Magi Gunsmiths, Fabrizio Leonardi, Anna Montella, Chiara Zanini, Jenny Perelli, Stefano Bovi, Bianca Massaro, Paolo Braga.

Saturday, November 6, 2010

Cause Of Colon Infections

Melissa and surroundings: Reading and Collection.

As predicted (here ), the long-awaited event was held in Verona on Sunday 31 October. Organized by the Consortium Proloco Valpolicella, Excellence Club Library and the Minotaur , in collaboration with The Black Corsair Association, Committee Salgado Valpolicella, Prize for Literature Adventurous "Emilio Salgari , Association Steppenwolf , Delmiglio Publisher and Salgari Brothers Winery in the beautiful Library the Minotaur (which I recommend to those who live in the area), the event saw eighteen tell stories inspired by the story of Melissa , the ghost dell'A4 , collected and conveyed by Danilo Arona. The tireless David and Elisa Conati Cordioli have lent their voices to the occasion, which was part of the program of Veneto Mystery Shows , really a great event organized at the regional level.
Its collection of eighteen stories ( "Melissa and surroundings") is already available in the library by Delmiglio Editor, with introduction by Danilo Arona.
The evening saw an excellent audience participation, despite the bad weather the dramatic consequences of which have been well highlighted by the media in the days following the event. Personally, I struggled to find a free seat, and also the actors were asked to use the microphone allo scopo di raggiungere con la voce anche persone situate al piano inferiore della libreria, che hanno seguito la rappresentazione tramite collegamento video.
Al termine del reading è stata organizzata una degustazione Vini Valpolicella a cura della Cantina Salgari F.lli, e in seguito ho potuto partecipare alla cena sapientemente organizzata da Emanuele Delmiglio, che nuovamente ringrazio per avermi voluto in questa originale e così ben riuscita iniziativa, presso "Verona 23", un locale, mi è stato spiegato, dell'antica tradizione universitaria veronese, nella zona di Sottoriva, a due passi da un Adige battuto dalla pioggia ma anche illuminato dalla bellezza degli edifici della città di Romeo e Giulietta.
For me it was also an opportunity to meet many new friends, or friends to turn the virtual faces of the ineffable in Facebook in the flesh, real smiles and handshakes (the photo above is published by Simone Cremonini FB whose profile was in fact stolen). A lovely evening, really, and it is not words.
And for those interested, Sunday, November 14 will be repeated next! At 15.30 it includes a new sighting of Melissa sull'A4 ....
Al Taste of San Martino Buon Albergo (Verona) returns the anthology "Melissa and around" with a presentation organized by the publisher Delmiglio, and of course reading some stories.

Melissa area.
The authors of the stories (in alphabetical order)
Advanced Silvia Maria, Roberto Bonadimanti, Daniele Bonfanti, Giuliana Borghesani, Tiziana Bruno Rosa, Riccardo Coltri, Gaia Conventi, Simone Cremonini Emanuele Delmiglio, Roberto Fioraso, Fuggin Federico, Antonella Ianni, Maria Giovanna Luini, Rossana Massa, Andrea Muccioli, Vittorio Rioda, Sonia Salgari, Francesco Troccoli .

ISBN: 978-88-96305-10-2 - € 9.00

Monday, October 25, 2010

Futon For Small Doorways

Veneto Mystery: Melissa, the ghost dell'A4


Very happy press release received from the public Delmiglio Publisher, concerning an event next weekend in Verona that I see among the authors involved.

the night of December 29, 1999, four drivers were involved in so many highways, so far as mutually unaware of a disturbing event: all invested - or risk of investing - the same girl, in three cases turned out to be a vision . From there was born the case of Melissa, the ghost dell'A4, carefully collected and conveyed by Danilo Arona, master of thrills.

Il Consorzio Proloco Valpolicella, Excellence Club e la Libreria il Minotauro , in collaborazione con Associazione Il Corsaro Nero, Comitato Salgariano Valpolicella, Premio di Letteratura Avventurosa "Emilio Salgari", Associazione Il Lupo della Steppa, Delmiglio Editore e Cantina Salgari F.lli sono lieti di invitarvi al tradizionale appuntamento di lettura di Ognissanti, domenica 31 ottobre 2010 alle ore 17.30 presso la Libreria il Minotauro a Verona.

L’evento rientra nel cartellone regionale Veneto Spettacoli di Mistero.

Gli attori David Conati ed Elisa Cordioli interpreteranno dei racconti fantastici inediti ambientati nel Veneto, opera di autori di tutta Italia, molti dei quali presenti, che si confronteranno sulla vicenda presso la libreria Il Minotauro.
Una raccolta dei racconti sarà disponibile in libreria ad opera di Delmiglio Editore, con introduzione di Danilo Arona.

Al Termine verranno distribuiti dolcetti e offerta una degustazione Vini Valpolicella a cura della Cantina Salgari F.lli.

Gli autori dei racconti (in ordine alfabetico)
Maria Silvia Avanzato, Roberto Bonadimanti, Daniele Bonfanti, Giuliana Borghesani, Rosa Tiziana Bruno, Riccardo Coltri, Simona Cremonini, Gaia Conventi, Emanuele Delmiglio, Federico Fuggini, Antonella Iannò, Maria Giovanna Luini, Rossana Massa, Andrea Muccioli, Vittorio Rioda, Sonia Salgari, Francesco Troccoli .

Free admission - not accessible to the handicapped

Information:

info@valpolicellaweb.it Valpolicella Consorzio Pro Loco - tel. / fax +39 045 7701920
Excellence Club
club@excellencebook.it - \u200b\u200btel . +39 045 8781118

Wednesday, October 13, 2010

Rotator Cuff Takes Forever To Heal

"Solaris, touch and go" on stage in Rome.

Gentlemen, science fiction back to the theater. The opportunity is so rare as greedy. Public
therefore very happy to release the product by the " The Giant", and on the staging of next venture " Solaris, touched and escape, "a high level of adaptation of the famous novel" Solaris "by Stanislaw Lem, which Andrey A. Tarkovsky drew the same (and more for film buffs) and namesake of the famous film.
Having had the opportunity to attend the presentation in a recent season, I suggest to everyone to participate, October 25, at 21.00, in Rome, nell'avveniristica frame Domus Talenti .


has

" Solaris, hit and run "


drama
Angela Antonini Paola Traverso



con
Angela Antonini


regia
Massimo D’orzi


installazione scenica
Alessio Ancillai


costumi
Sara Fanelli



foto di scena e realizzazione grafica
Filippo Trojano



Musiche
G. Ligeti, A. Schönberg , A. Scarlatti
H. Villa Lobos - J. Cage , N. Atlas , B. Maderna,
Bauhaus, Radiohead No surprises sung by Page


Info:
www.ilgigantecinema.com


free composition of dramas that belong to different poets and writers groped for a performance-almost a painting-man in front of the new form. A woman's body appears and disappears every time a man defies the darkness, and closes his eyes. Harey language indecipherable to the star of Solaris, the masterpiece of science fiction of the twentieth century, which challenges the scientific logic, rational, positivist scientists weakly lovers of life, the indifference of those who observe the cold world, to cut off the colors. Along the banks of the text Solaris meet Cleopatra, Hamlet and Shakespeare's Ariel, The indifferent Madeleine de Proust, Antonioni's girlfriend, the Girasole crazy Montale, Viola Calvin, hit and run image that tell when it gives the illusion of the poet at the thought of a possible love.

text: we started from the historical fiction novel "Solaris " writer Stanislaw Lem, Tarkovsky, which has drawn the eponymous film, and literary evocations that the reading suggested we go along. During the first readings images often emerged that were tied to the poetry of Montale and Proust's prose on the theme of indifference, very present in the reactions of Chris, the male lead. The novel tells the story of an intimate love that consumes the stars, the space station be suspended in the atmosphere, with an emphasis on the reactions of a man in front of the intensity of their feelings. The author of Solaris depicts the encounter with something new, not placement, which may be unknown precisely the knowledge of a woman but also the knowledge of the world ol'approccio destabilizing a new idea, never considered previously. The installation of the text by Paola Traverso actress Angela Antonini achieved together creates a "combination" of words and verses woven into a single plot. E 'with literary images like those of Eugenio Montale, Marcel Proust, Michelangelo Antonioni, William Shakespeare, Italo Calvino that the mono-dialogue continues with the opening lines from Antony and Cleopatra W. Shakespeare, through Hamlet "to be or not to be" surrounded by psychedelic colors and dazzling images of Solaris. This texture never forced, is the need to overcome the tragic love story between a man and a woman, to say the complexity of the comparison, without sacrificing the beauty and can be reached of falling.

The director: The dialogues are read and interpreted by an actress in one scene, with a few essential props, draw a continuous movement of lines and shapes that pass through the space. On stage, the white pages of the text themselves become the body to approach the face, leave on the floor, bring in the air, stomp, scenic body with eyes that spring up, dancing, talking as if the representation of the 'other', the unknown we face, as if to represent the melee of the authors with the raw material of the novel. The musical texture that ranges from Ligeti, Berio to, from Radiohead to Villa Lobos, via Natasha Atlas another cornerstone of the direction of Massimo D'barley. The body creates the musical sound space of the planet Solaris, the cramped and mysterious corridors of the space station and the atmospheric temperature of every single scene.


On 25 October at 21:00 in Rome Domus Talenti,
Via delle Quattro Fontane, 113

Monday, October 11, 2010

Funny Things To Write On A Cd

My mini-interview for Altrisogni. The end of Humanity

With pleasure, and thanks to the friends of preparation the newly revised digital " Altrisogni " Journal Digital Horror, Sci-Fi and Weird, public mini-interview that I was taken on the occasion of the first issue, which contains among others my story " Nude hands." I would remind you that the magazine is sold at a very low price d.books or here, and that this is the page of the magazine group in Facebook.
I did not hesitate a moment to accept the invitation to collaborate with the magazine, which has several interesting features: all-digital, addressed to three kinds Horror, SF and Weird, managed primarily by FB, and based on a careful selection and editing texts. In short, an innovative publishing project, accurate and admirable.
in line at post will also find the book trailer by BASELUNA Films .


We arrive at a prolific author of science fiction and on the Web: Francesco Troccoli. For Altrisogni published the short story Nude hands, a short history and rapid, well-written and interesting. These are the questions and answers.

Altrisogni : Your novel takes place in one "room", yet it is very "broad" has been difficult to manage in a short text?

Francesco Troccoli: When I started writing "bare hands" I had two objectives: to declare my love for writing tear and a smile irreverent. These goals were achieved naturally through the use of science fiction. I did not place any rules on the length, although I imagined that it would be a tale of small size. The end result, trying to concentrate this "magnitude" in a text so short, I was satisfied. A little 'how to take a picture using a powerful wide angle. So, to return to the question, it was not difficult, because it took place in a natural way.

A.: How do you tell if an idea becomes a story or a novel?

FT: I never know. The novel (unpublished) that I just finished was born as a story, and am currently working on the possibility of transforming another story in a novel. When I have an idea, usually the writing of a story is my first instinctive act. Also because, otherwise, risk of forgetting. A little 'as sometimes happens with dreams. I do not know yet if this is a limit or a virtue. Maybe it's both at the same time.

A.: How do you deal work on a new location?

FT: If it's a setting that I know of or can think effectively, I begin to write without hesitation. If you need to read up, I can do before you start writing or during production of the text. In principle, in any case, my writing tends to reflect that more immediacy. If you know you know how to swim, you better jump and feel the water, rather than deciding in advance style and location. Of course, it would be nice to do in life always so ...


Friday, October 1, 2010

Cool Things To Write On Cds



This story, I would call a dialogue from minor post-apocalyptic noir colors, is runner-up result Competition at the Space Prohecies Episode VI, and Hypatia Award, both in 2010. E 'is currently number 29 published in the journal Living Force and in the anthology Chronicles on the Moon, which originated from the two competitions.


Haile Poiron Marathi usually sat in the corner of the bar at the top of the building's central Ababa City. He was staring into the sky and close your hand around an empty glass.
recent customers came over to him, and like all last night when he had taken refuge there, the man was alone.
The bartender was sleepy.
-he wants another, sir? "- He asked from behind the counter.
Besides the large window, the hemisphere of the Earth emerged from the darkness like an abandoned floating in space.
-Yes, Thomas. Thanks.
Haile could almost hear the silence that came from that planet clumsy and cumbersome.
Thomas joined him and left the bottle on the table. He snorted, he returned to the counter, and picked up his head in his hands. The clock on the wall scored two in the morning.
Vicar Hassler entered at that moment, glanced to greet the bartender and then headed to the only customer. For the arrival of Thomas
a drinking buddy things worse. The wait to dismount and close shop would have been longer than expected.
-Good evening, .- Haile said the newcomer.
Africa continues to set the Earth.
-Shit, someone should go pick up at least a bit 'of all that stuff. I say, Vicar, can you imagine what good things there is still up there?
-I fear most is now unusable, Haile.
Haile looked away from the sky and looked in the direction of his friend, to balance the assertion that the speed with the reduced amount of alcohol allowed its neurons. Non-
parlo della superficie, Vicario.- aggiunse in maniera distaccata, e tornò a rivolgersi verso il cielo.
-Mi riferisco agli avanzi rimasti in orbita. Cristo, riesci a immaginare quanti ce ne siano? Solo con i pannelli solari, potremmo rifornire di energia  almeno dieci nuovi insediamenti. Venti, forse. Per non parlare delle unità abitative autosufficienti delle stazioni spaziali, dei telescopi, dei satelliti per le telecomunicazioni…
-E i sistemi missilistici. Vorresti recuperare anche quelli?- domandò Vicario, sedendosi al tavolo.
-Cosa? Ma di che parli?
-Come pensi che siano riusciti a sterminarsi così in fretta? È per questo che non c’è stata alcuna maniera di fermare tutto. Prima che i funzionari ONU sollevassero la cornetta per organizzare una riunione di pace a Kabul o a Helsinki, i missili cinesi avevano già raso al suolo Nairobi, Dakar e Mandela Town. E i vostri avevano generosamente riservato lo stesso trattamento a Pechino, Shangai e Tokio, naturalmente.
-Avevo sempre saputo che gli accordi internazionali proibissero gli armamenti orbitali…
Vicario guardò l’altro in tralice.
-Pensi che una civiltà capace di autodistruggersi avesse davvero intenzione di rispettare simili accordi, Hailé?
L’africano rinunciò a una risposta che esigeva un ragionamento troppo complesso per le sue condizioni di that time.
-Be ', we could take the rest, though. After all, we have the right. The survival of the human species is assigned to the moon by now. Am I right?
Haile laughed. Perhaps he was convinced he had said something funny.
-The Research Center is working on it, patiently answered .- Haile Vicar-The problem is that we do not have enough resources. To get that good things would risk an energy deficit. And because the survival of the human species is entrusted to us, we can not afford it. In a few years, maybe. Provided that you scientists facades your job well.
Haile laughed again.
-Mi fa piacere che l’argomento ti diverta. Vedo che hai trovato un rimedio efficace alle sventure del genere umano.- sentenziò Vicario scoccando un’occhiata alla bottiglia.
-Il Centro Ricerca, il Comando del Settore Apolide, il Governo Lunare… dove ci porteranno tutti questi altolocati istituti di comando, Vicario? Guarda cosa hanno fatto i loro pari sulla terra. Me lo hai appena detto tu. Violazione degli accordi. Missili a pioggia. Sterminio di massa. Fino a un anno fa l’Umanità credeva in un futuro radioso, prometteva felicità per tutti, progettava di colonizzare tutto il sistema solare, e ora…
Hailé si fermò, e tacque.
-Le cose sono cambiate. Parecchio.- Vicario said breaking the silence.
-Yeah. A lot. It's easy for you, Agent Vicar Hassler, eh? - Haile replied testily.
-Neither more nor less than anyone else, Haile.
-
But feel it! - Broke the African. -You were born here, Vicar. You never know what it means to live on Earth. Are you an agent of the Sector Command Apolide . A, a ... cop. Do not have a fucking nationality, have not lost anyone. For you the war was a distant event, one thing occurred on another world. And you that world you've never known.
Vicar left to run. There was accustomed. Haile was not the first to blame him, and others like him, and would not even be the last.
now seemed that this was the most important social function of the agents of the CSA collect and dilute the anger of all. Stateless persons as if they had remained indifferent to destruction. As if their nationality was a lack of guilt.
In this demanding task was added and declared the formal need to investigate violations of the Lunar Laws, violations that until a few months before had been insignificant in number and scale.
But the crime rate on the Moon was increase. One obvious consequence of the end of civilization on Earth. Anyway, it was a miracle that the satellite was not broken out anarchy, must have been the instinct of self-preservation to prevent it. The awareness of being the last representatives of the human species, except for the tiny colony of Mars, which employed hundreds of researchers with whom contact had been lost, had escaped the worst.
But the early weaning from the mother country had also become a colony and peaceful international society devoted to research in the only existing one. With its rules and its deviations. With its weaknesses and its temptations. With the entire set of drives that determine the need for a control system.
Vicar knew little more than a hundred agents would be insufficient for such a purpose. Still, it was all they had on the moon, and the community sector of the stateless, in which he and others had been recruited, it was quite prolific as to provide for an increase in staff at short notice. Sooner or later, the government would have to authorize access to the small police force to citizens of the Moon National Zone.
The decision to recruit agents African, Chinese, Slavs and Caucasians, and seeing them on the loose, armed and with duties of public policy, entailed significant risks. It would do even more to resemble the moon dear old Earth. Moreover, before the community of national zones provided through autonomy, it was good that someone took that decision, and quickly.
-You never heard from Karen, Haile? The African
pretended not to hear.
-Sorry, Vicar. I always say the same things, right? Be patient. I'm just a microbiologist, I. Until yesterday, my main problem was the study of cell replication in the ice at the lunar pole. Have patience, my friend.
-I hope you'll continue to work, Haile. We need science. Much of yesterday.
Haile drank yet another glass of vodka. All in one breath.
-I have a glass too? - The policeman shouted in the direction of bartender.
Thomas was prepared to obey. The closing time was long past, but it was better not to upset an Agent of the CSA.
-So, - said the African-How's your investigation? Have you discovered something about the death of Jonas?
Vicar looked up from the table, on which he had stopped to count the circles drawn from all the other glass that had been drinking. According to the autopsy-
your colleague died of suffocation.
-Be ', fuck, what I mean. You said that you have found the edge of the crater Galvani without oxygen.
-.- This is not the point the agent said. -See, quando la squadra di esplorazione lo ha rinvenuto, il cadavere era lì da non più di sei o sette ore. Il che è certo, perché la stessa squadra era già passata di là, e non lo aveva visto. Ma secondo l’autopsia Jonas è morto almeno un giorno prima del ritrovamento.
-Mi stai dicendo che si tratta di un omicidio?
Vicario versò un po’ di Vodka e ne sorseggiò con parsimonia.
-Il primo della storia lunare. Si direbbe che ci accingiamo a raccogliere per intero l’eredità della civiltà terrestre.- rispose il poliziotto.
-Questa sì che è grossa. Quindi, qualcuno lo ha portato lì dopo averlo ammazzato, giusto?
-Giusto.
-Yeah ... with the reduced gravity that's out there, should not have been too tiring, is not it? The culprit must have thought that you believed in an accident. Vicar, Jonas was an expert walks outside. He would not be surprised by a lack of oxygen, unless there was a leak in the booster, but even then would have noticed and would be returned, or would have asked for help. He was an experienced astronaut. Whoever is the murderess, it should not be too smart, if he thought to trick us like that.
Haile seemed surprised, yet, despite talk of a colleague, made the sober tone of his slow and apathetic. Vicario lo avrebbe trovato irritante, se non fossero stati amici.
-Sulla Luna mancano le competenze per uccidere senza lasciare tracce, Hailé. Per il momento, almeno. Magari fra qualche anno, quando gli interessi in gioco saranno cresciuti e le professioni del crimine si saranno sviluppate alla maniera terrestre, avremo anche noi i nostri assassini esperti. Ad ogni modo, in questo caso ho l’impressione che all’omicida non importava un fico secco di poter essere scoperto.- replicò l’agente.
-Stai pensando a un movente personale, quindi. È assurdo. Jonas era un tipo pacifico, non aveva nemici. Non che io sappia, almeno. Se ne stava sempre in giro a raccogliere campioni dei minerali lunari, e il resto time spent at the microscope. Who could be interested in killing him?
Vicario took his cup to his lips and sipped some more 'of vodka.
-Why do you think happened, Haile? E-
you ask me? You're the cop.
-I'm not talking about Jonas. I refer to the war. How the hell you may want to sacrifice all that you only have to defend a principle, an abstract idea? To my knowledge, Panafrica was tough until the last minute. Until the outbreak of hostilities, any member of your government has expressed its willingness to find a compromise on the mines. And even the opposition.
-Do not call my Government, my friend. Vicar, I'm on the moon for almost fifteen years. With the policy of the Earth no longer had anything to do. I'd also say that I left because of my intolerance to certain bad habits. However, since you ask me, I think our history, the history of my people, had a decisive role.
-Your story?
-You are young, Vicar. And you're a stateless person. A mix that makes you a true citizen of the Moon. I bet when you were little more interested in the position of the lunar oceans of Earth's continents. You must enter the Earth and say "above", while I, even after so many years here I feel suspended nel cielo. Ed ora il cielo è tutto ciò che ci è rimasto.
-So che Panafrica ha vissuto periodi difficili…- disse il poliziotto mostrando un certo imbarazzo.
-Africa, Vicario. Era così che si chiamava, un tempo. Decine di stati, centinaia di clan, migliaia di tribù, che si combattevano in una maniera atroce. Con il bastone, e il macete. E per che cosa, poi. Per spartirsi le briciole del pianeta. Ci sono voluti quasi due secoli per diventare quello che eravamo. La più grande potenza mondiale.
-Eravate terrorizzati di poter tornare nelle condizioni precedenti, dunque.
-Qualcosa di simile, immagino.
-E pur di mantenere la vostra potenza, siete stati disposti to stake. You know, that's what worries me more. I understand that a single human being can fall into such a folly to prefer the total destruction of self and others. I've seen it happen, but ....
Haile broke out in a fat laugh.
-You have seen this happen? Where? You were born and lived here. What do you know the history, culture, human beings, you? What do you know of relations, social relations, the dynamics of a complex system like a planet inhabited by twelve billion people?
His laughter had turned into a furious grinding.
-About-continued-not be easy to disentangle in the search for a murderess, for a police force whose maximum liability, until recently, was the control of the flaws in the systems of protection of the colonial settlements.
-Sai, Haile, you are right to sell. I am a stateless person. I had no ties to the Earth. I had relatives there. I did not even have the right to move, unless they had embraced one of your nationality, and you can believe me when I say that I've never had any intention. But unlike what you think, for this in my area know about the Earth many more things than you think you people. Our lack of roots has not eliminated our curiosity, by contrast, has worsened. We police officers, in particular, we study very land uses and customs. I know many more stories of your procedural planet than you can imagine.
Vicar lit a cigarette.
-evidently, a long time ago, somebody-shoot-predicted that this would have happened. Someone smart enough to figure that far-sighted and a population of settlers land would not be able to self-determination peacefully, was the beautiful thought to isolate an area of \u200b\u200bthe newly formed colony and establish the law that those who had lost his citizenship would have transferred land . In return, their children were destined to rule the Moon, and to maintain order. That someone, my friend, knew quite well your culture of fear it.
Haile looked down, threw the bottle over the glass and poured himself another shot. Much Vodka fell on the table and Thomas came to clean, but without haste.
-careful, Haile, that's one of the last remaining bottles of Vodka Ukrainian humanity .- said the policeman.
-However, - said Deputy staring each other's eyes-I understand that a single man can fall as well, but I find it amazing that can happen to an entire civilization. Sacrificing everything, rather than yield. Sentenced to death rather than cause death to their perceived enemies. Believe me, it's really hard to accept.
-Hey, agent .- Haile broke almost woke up the drunk,-From what you say, it seems that we did everything ourselves. I remind you that the Chinese wanted to take our land, our mines, our bio-systems, without even asking permission.
-I know, I know, Haile. Each had his reasons. Unfortunately, conversations like this are increasingly common. Your respective communities do nothing but accuse each other. Brawls and beatings are commonplace. The Moon was a beautiful place in the past, because we could have the luxury of leaving the Earth with the task of dealing with politics, history, laws and progress. Today there is all this shit fall on him. Now we "civilization."
-guess what all this is hard for someone like you, who on Earth has ever set foot there, Vicar. The policeman
the bottle away from the other and crushed the cigarette butt in the ashtray.
-not really want to talk to Karen, true, Haile? The African
rested his head on the table. And for the second time it seemed that he had not heard that name. He seemed on the verge of falling asleep.
-.- We have some clues, then whispered in his ear the policeman approached.
Haile gave a groan.
-fact, more than one, for the truth. So much so that the Government has authorized the Lunar detain a person suspected .- precise.
-E what the fuck are you waiting for tell me who? - The African said, pointing to lift his head.
-A woman. A beautiful woman of the settlement of New Seoul. A nuclear engineer. Jonas on the body of his DNA was everywhere. Even on the genitals. I would say, especially on the genitals.
Vicar smiled good-naturedly.
-Just think, 'was a voluntary .- Nothing added-wages, only expenses. Would you have done if I were in his place?
-Jonas if made by a Chinese ... who would have thought .- Haile murmured.
-My limited knowledge while geography of the land allow me to say that its origin is Korean, Haile. We have kept the information confidential. If it became public domain, you know what would happen.
-diamine. We would do the same fate of the Earth .- The African grinned.
-Jonas you happened to have talked about this woman?
-Mai. It amazes me that even know he had one. I mean, one fixed, one that did not pay. Tell me, Vicar, because China has killed this bitch?
-Indeed you are right, my friend: after the destruction of the Earth had begun to make a whore. I sometimes have the impression that the real victims of war are the ones that survive. Apparently this woman, Han Li, had been allocated to the lunar colony, thanks to Jonas, who had rigged its tests for admission. At that time, however, she did not prostitute. Who knows, maybe they were even popular. The hypothesis is that the prosecution had argued, and anyway she was afraid of being discovered.
BG-What? Return it to Earth? - Haile broke into laughter and cynical tone deaf.
-Collision illegal in the only possible world must be an unpleasant condition, apart from being a grain for the few remaining lawyers in the forces of civilization. However, any speculation on the matter is purely theoretical at present .- backfired the policeman.
-job easier, Vicar. You have the culprit.
The African looked back to sobriety.
-Haile, I do not have news of Karen? - Asked the policeman before downing another glass.
Thomas, the bartender, sat two tables away, snoring loudly with the bottle of detergent still in hand.
-Karen is somewhere in the American Zone, Vicar. Or maybe in the European Union. I do not know anything about her .- murmured in a tone of the African plate.
-Hey, Vicar, in half an hour the sun will rise! There are six days waiting for the dawn. Damn lunar cycle .- broke then raising the glass toward the sky.
-Haile, when you spread the news that an Oriental woman is responsible for the first murder in the history of the Moon, and that the victim is a geologist in Kampala, will be chaos. The Chinese are considered responsible for the destruction of Earth. The pan-African will have the pretext they seek. This story may have unimaginable consequences.
E-what can I do to help you, Vicar?
-You look into her eyes, Haile. It is not easy. It is a beautiful woman, lost her husband and children in Taipei, and was reduced to get fucked by strangers for a few pounds, or yen. Believe me, it is not easy starsene lì e fare il proprio lavoro davanti a uno schifo del genere.
-Ti sei innamorato, poliziotto? Attento, a quanto mi hai detto, quella donna è pericolosa.
-Amore? Volesse la Terra, amico mio. Ma se uscirà viva da questa storia, penso che l’aiuterò, in qualche modo.
Vicario si rese conto che stava arrossendo, e abbassò il volto.
-Qualcosa ti fa pensare che non sia stata lei?- esclamò Hailé.
-Senza dubbio è innocente. Sarà anche una puttana, ma in vita sua Han Li non ha ammazzato nemmeno una mosca.
-Non ci sono mosche sulla Luna, Vicario. Hai studiato troppe cose della Terra.- ritorse l’africano.
-I want to tell a story, Haile .- sighed the policeman, before they fill both the glasses and light up another cigarette.
-see, I had a friend once. A friend who had two things that would have given everything: his wife, and his land. Unfortunately one day his wife leaves him. It happens, is not it? She falls in love with another, and leaves. So far, so normal. My friend is suffering like a dog. What is more he discovers that the man who took away his wife is a Chinese bastard. My friend began to write, begs her to return with him. But it's useless. She now lives in Bangkok and is happy. They spend a few months, until suddenly, with a simple messaggio di posta elettronica, lei gli annuncia che sta per tornare.
Vicario estrasse un foglio dalla tasca della giacca e la lasciò scivolare sul tavolo.
-Forse deve solo regolare alcune questioni, o forse ci ha ripensato. Chi lo sa? Ad ogni modo, gli scrive che partirà con la navetta del lunedì successivo. Il mio amico torna a vivere, e inizia il conto alla rovescia. Mancano solo cinque cazzo di giorni. Ma dopo appena tre giorni, tre soli dannati giorni, la città del mio amico viene rasa al suolo. E così tutte le città, sull’intero pianeta. Il mio amico si sente finito. Ha perso la sola donna che ha mai amato, la sua terra è stata distrutta, e ora lei è morta, insieme ad altri dodici billion people. Humanity has betrayed him. His partner has betrayed him. Everyone, have betrayed him: his enemies have destroyed their land, and one of them has stolen his woman. His friends have allowed this to happen. All that was most dear is gone. No one deserves understanding. On the survival of mankind prevails a verdict without appeal: the survivors do not deserve to stay alive, my friend and condemns them to perpetuate the error that was fatal for the Earth. Just as the government Panafrica, prefer the total destruction to a life of mourning. My friend believed in civilization, and as it was over the trust reposed in it as a man of science, now it's just as crazy over the idea that civilization deserves to disappear from the universe.
Vicar paused and looked at Haile. The African
clutched in his hands the empty bottle, eyes closed, tears beginning to rigargli face.
-My friend has decided to punish everyone. Himself, his colleagues, the people around him every day. One lonely night like many others, you put on the trail of a beautiful Korean, and if he finds the door to the bed. After the war she has lost everything, and sex workers. As it happens, she finds herself on the moon thanks to a colleague of my friend, a man of peace and genuine, just as he once was. My friend is a great microbiologist, and during the night has no difficulty in collecting samples from all over the body of the beautiful Korean. A few days after tracking his colleague and poisoning with a rare type of diphtheria toxoid, which kills the victim to suffocation, then sprinkle the corpse of traces of the woman and then delivers it to the edge of the crater Galvani, where fifteen hours after the mining team comes to.
Haile's face had dried, the lids were still down.
-is on the details of the hours that I have not yet been entirely rebuilt my story. I do not know if my friend is coming home or whether it came directly to this bar, like all subsequent nights since then, letting go agli ultimi stipendi per scolarsi una costosissima bottiglia. Non gli è rimasto molto. Ha ancora la sua vodka, e una gran pazienza di attendere. Sa che lo stesso odio sterminatore che ha spazzato via la civiltà terrestre non tarderà a fare lo stesso quaggiù, sulla Luna. I suoi amici coloni panafricani non aspettano occasione migliore per vendicarsi. E i cinesi, a loro volta, hanno già affilato i loro pugnali di ceramica, che sfuggono così bene ai nostri metal-detector. Tolti di mezzo il giovane Vicario e altri cento idioti senza nazionalità come lui, la guerra sarà facile e rapida. È solo questione di tempo. E magari lui, il mio amico, ha già deciso sull’orlo di quale cratere andrà a contemplare gli ultimi istanti the end of Humanity. The end true humanity. Maybe that's why every night he sits at this table, and looks out. I do not think that covers the Earth, as he would like to believe in me.
Haile opened his eyes. The tears were over, the facial expression was absent.
-up there. It is there that I was going to enjoy the show, Vicar .- said casually, pointing to the hydroponic greenhouse on the north ridge of Nectaris.
The policeman saw in the eyes of his friend one last gasp of life. After fifteen days of darkness, a thin red line on the horizon announced the beginning of the dawn moon.
Soon, the sun had chased away the darkness.

Monday, August 16, 2010

How Do You Catch Pityriasis Rosea

real wave of Abyss in Senigallia.

was held last August 4 at the Library Book I of Senigallia, the presentation of the collection " Wave Abyss", just published for the types of Van Gogh's ear .
In a city in the grip of the unusual atmosphere of retro Summer Jamboree, including personal nostalgic memories of Happy Days and a promise of a few hours on the beach the next morning not maintained due to a trumpet air in the summer monsoon-style neo-European, Giuseppe d'Emilio and Chiara Bertazzoni led a nice evening, alternating readings of extracts from the stories of these authors, these short interviews and music of the trio Evy. Along with Deep Wave was also presented the book "Men to pieces" ( Eclipse Publishing).
For myself it was an opportunity to discover or rediscover one of the authors present, old and new friends, as Marica Petrolati, Lattanzio Gabriele, Alberto Cola, Gabriele Falcioni, Ramona Conrad (who is the author of all the photos that I shamelessly stole from her album Facebook nell'insostituibile ), the two presenters and of course the aforementioned editor, Alessandro Morbidelli (which we were interviewed on here ).
remember that the volume can be purchased online at IBS or ordered directly from the publisher by writing to info@orecchiodivangogh.it . The next presentation of
Wave Abyss is scheduled for Saturday, September 4 at 11:00 am at the Metro Library, in Corso Garibaldi 91, Ancona, in the Adriatic Mediterranean Festival 2010 .
The authors, thirty, are: Pelagius of Afro (from an idea by Valerio Evangelisti), Danilo Arona, Alberto Cola, Angie & Andrea Francesca Garello, Alessandro Morbidelli, Elena Vesnaver, Di Bernardo, Ramona Joseph Conrad & D'Emilio, Manuel Maggi, Milena Debenedetti, Marenzana Angelo, Francesco Troccoli, Gabriel Lattanzio, Marinella Lombardi, Cristiana Astori, Igor De Amicis, Marica Petrolati, Alessandro Cartoons, Luigina Sgarro, Chiara Bertazzoni, Mauro Marcialis, Simonetta Santamaria , Paul Agaraff, Badagliacca Bartolomeo, Matteo Severgnini, Sofia Bolognini Lorenzo Trenti Zaffoni Bruno, Mauro Smocovich Sacha & Rosel, Massimo Mongai.

Monday, August 2, 2010

Sudden Lower Back Pain And Menstruation?

Carlos Ruiz Zafón: "The life of a writer takes place in his brain"

ten years old the first publication of "The Shadow of the Wind," an unprecedented publishing success in Spain: a hundred editions and 15 million copies sold worldwide. From Los Angeles, where he lives, the author speaks with ABC .

SERGI DORIA / BARCELONA - 20/06/2010
Note: The following interview was conducted by ABC Spain and the VO is published here . This is my translation from English.

-As his novels have been accepted in different countries?
-I would say that the reception of the books was the same in almost all countries. Readers are readers, no matter where they are. Over the years I've learned that people who appreciate literature, language, ideas and books are very similar all over the world and that what unites them transcends borders and cultural differences.

- "Playing the Angel" has reached the top of the charts in the United States. Why do you think has had as much and greater acceptance of "The Shadow Wind "at the American readers?
-The success of "The Shadow of the Wind" has created an expectation and a warm welcome to 'The game of the angel. " I do not venture to say that a novel has met most of the other rating. "The Shadow of the Wind" is already eight years in the libraries of North America and continues to be an extraordinary response. "Playing the Angel" is available from just a year and now we will launch the paperback edition, which is played on the real battle of the bottom of the North American market. The hardcover edition in these parts is just a "trailer" and the books make a career or not, in the edition "trade", something similar to what happens in the UK market.
-What is the difference between the two works to attract a certain type of player?
-While working on "Playing the Angel" I knew it would be a novel much more difficult for most readers and that this majority would continue to prefer "The Shadow of the Wind." Two novels are very different: while «L’ombra del vento» induce una reazione molto simile in tutti i tipi di lettore, «Il gioco dell’angelo» ispira reazioni diverse e contrastanti. È così che deve essere, perché corrisponde alla natura intrinseca di ciascuno dei due libri.

—Come trascorre la giornata uno scrittore a Los Angeles?
—Immagino in modo simile a quanto farebbe a Londra, Parigi o Móstoles ( piccolo paese dei dintorni di Madrid, ndt ). Non saprei. Forse con un po’ più di sole, e magari un po’ più di distanza da taluni rumori mondani che distraggono e ti sottraggono al lavoro e al vivere la propria vita. Buona parte della vita di uno scrittore si svolge nel suo cervello e questo non è diverso a seconda che ci si trovi in California o sui Pirenei aragonesi.

—E come vede Barcellona da Los Angeles? In questi giorni, ad esempio, si sta scavando al di sotto della Sagrada Familia un tunnel per il Treno ad Alta Velocità… Molti temono per il Tempio di Gaudí…
—A volte con una certa preoccupazione, altre, invece, con nostalgia. Speriamo che Gaudí e i barcellonesi, che sono sopravvissuti a tutto, sopravvivano anche a queste saghe bizantine di contratti multimilionari e torbidi interessi.

—Un’altra polemica tutta barcellonese è che si vuole proibire le corride dei tori per legge, e inoltre hanno iniziato a convertire la Diagonal (un grande viale di Barcelona, ndt) in una zona pedonale con tranvia elettrica, spostando tutto il traffico verso l’Ensanche…
—Forse sarà per la paura che il toro possa prendere qualcuno, che già andrebbe bene. La storia della Diagonal e dei tram suppongo sia un grande piano di pensionamento a carico del contribuente. O così sembra. Spero che sia semplicemente un’idea assurda morta sul nascere.

—Quali differenze vede fra la società letteraria spagnola e quella americana?
—Forse la società letteraria americana non è so politicized and influenced by partisan interests as sometimes seems to happen to the English, but at the level of readers, people who love literature and live, I do not think there are many differences. It is possible that the main differences are in how it presents that a world "in the media and what role to play in society. I think there is an ever more pronounced basic divergence between the U.S. and Europe in general.

-She has lived in the last days of the Bush presidency and now assists in the early stages of Obama. What changes perceived?
-The years of the Bush administration have catastrophic results and have caused tremendous damage Fiber to the social, political, economic and especially in this country, in many ways beyond repair. The beginnings of the new administration have raised great hopes, but now beginning to be apparent obstacles. The resulting self-destruction that swept this country seems to be correct, at least temporarily, but the question is whether it is possible to repair the damage caused and refloat the ship. It is to be seen. Much of the iceberg is still there, under water, ready to return to the attack.

-Before returning to the tetralogy of the "Cemetery of Forgotten Books' literary forays provides a rather different way?
-You never know. Sometimes I think it is better not to talk too much about the plans that one has or what he has at any given time on his hands, because you later change your mind and eventually things are very different from those that readers expected.

Barcelona Josep Martínez-The photographer has collected 400 dragons in his collection "Drakcelona. How is his affection for the mythical animal?
- 'Drakcelona, \u200b\u200b"I like it. Must obtain a copy of this book. My affection for dragons is not subsiding. Continue to take wherever you meet them and, despite the growing number, we live in peace and harmony.

-She admires the work of television writers and states that have a greater talent of many writers of literature.
-Be ', it is a generalization that would actually many shades. It seems to me more than once on this subject I have been attributed to words that were not exactly what I had said, often with evil intentions and little ladies. That said, and putting aside the obvious differences between writing fiction and writing or literature or dramatic comedy television series for television, yes, I think we need to recognize that over the past decade has been produced numerous TV series, often born in Cable channels like HBO and Showtime, in which the dramatic quality and the workmanship is impeccable formal and often much higher than what we find in the cinema-style commercial. Although the comparison between literature and television is difficult if not impossible, it is also true that often appreciate in this series have a talent and a commitment to narrative that is very difficult to find in much of the narrative production that considers itself sophisticated and literary.

-What series would you recommend the viewer to learn English?
-I would say "The Wire," "The Sopranos," "Mad Men," "Weeds," "Deadwood," "Entourage," "The Good Wife," "House," "The West Wing, "and many others. In truth, I see little television and I find these series always late, sometimes even years after they are produced, I get to see them on DVD, and almost never in the timetable of commercial broadcasting, so of course the readers will be more updated me on what it deserves among the various programs broadcast. My hours of leisure are devoted to reading and music, which is my major interest.

-Continued to consider Dickens and Stephen King as the authors point? What they read in the last few months?
-Stephen King is an author that I read, especially in my teenage years and regularly re-read Dickens, but these are only two Among the many authors whom I have dabbled over the years. I read a bit 'of everything and not paid too much attention to labels or preconceptions that often accompany the books. Given this, I prefer my idea and let me decide for myself what I think and what interests me. In recent years, my tendency was to read more nonfiction, especially history, although it is gradually returning to the novels. In recent months I have discovered some interesting new authors such as Victor Lavalle or Dexter Palmer and I also found a great writer, Ian MacDonald. Usually I read a book a week, more or less, so these are just some of my reading ... I read everything and almost everything was interesting.


Ruiz Zafón and new technologies.
To be well informed, Carlos Ruiz Zafón says it's usually refer to the digital editions of various newspapers over coffee in the morning, "New York Times, the Los Angeles Times, The Guardian, and many other digital publications . "The things that interest me really prefer to read them on paper in my hand. Passengers for the noise I just the computer screen, "says the writer.
As for the electronic book, the writer has the impression " maybe wrong, that will not benefit the publishing industry that promotes As producers of electronic media, which will sell us a new model every year. The publishing industry will fall into a trap from which I think will come out very bad condition. And this without considering the merits of piracy, which is already a cultural cancer without remedy. "

Wednesday, July 21, 2010

Fishsticks Kanye Quotes

Alessandro Morbidelli presents Wave Abyss. Hypatia

As previously announced ( here), comes out these days, for the types of Van Gogh's Ear, the anthology " Wave Abyss," which collects thirty of the mystery stories linked by a unique background: the sea. The volume also includes a story I wrote for that purpose. I interviewed Alessandro Morbidelli, curator anthology, because we found the volume.

Hello Alex, tell us how did the idea Wave anthology of the abyss?
I believe that every person born and raised not far from the sea feel, at some point in their lives, due to nature. Maybe for all emotions, all silent, all episodes lived in close contact with an environment that is fluid and magical, eye-catching and pinned him to another dimension. A slot to scan the world soul, his being primitive and perfect. " Wave Abyss" was born because I wanted to talk about the sea and wanted them to be in a lot of talking about it. Born because I felt in debt and not just with the sea, but also with the literature that accompanied me as a child. Danilo Arona, which also participates in the anthology with a story beautiful and disturbing, reminded me a few days ago as the narrative "on sea" is one of the founding myths of the great Italian. If we think of some weird literature from the early twentieth century, but even before we realize how the sea is a literary source of a striking visual power. The man is attracted by the unknown as much restlessness. " Wave Abyss" is a further look, a glimpse from the cliff, toward the waves, alla ricerca della paura e di noi stessi.

Puoi dirci qualcosa anche su L’Orecchio di Van Gogh (nome alquanto curioso per una casa editrice)?
L’Orecchio di Van Gogh è una piccola realtà editoriale nata nel 1998 nelle Marche. Il perché di questo nome, onestamente, lo ignoro. Dovremmo chiederlo ad Andrea Rossi e a Marco Refe, i due personaggi dell’Orecchio che hanno appoggiato sin da subito questo progetto. La loro collana “ I germogli ”, dedicata alla narrativa, è giovane, ma ha già pubblicato ottimi prodotti, ultimo in ordine temporale il nuovo romanzo di Michele Monina.

Alla luce of its importance to you personally and as a leitmotif of the work, as the sea is covered in the anthology?
The sea, in "Wave Deep", is described from the eyes of the man who says, be it a first-person narrator or narrator outside. It was with the man who is related, in its three stages in which man and the sea become one, so I divided the anthology into three sections: the first is devoted to the relationship between man and the sea does not yet exist when the physical contact between the two and is called " sides." Here is narrated mostly the game looks more or less threatening, that the two exchange the dawn of time. A second section covers " Surfaces" and is therefore inevitable reference to seafaring epics that have characterized so much a certain type of literature, but not limited to: the contact is only mentioned, brushing against one who denies complacency and at the same time a lost in the desert. The third category, " Abyss", involves a total immersion in the mystery, the unknown of a world that is almost completely unknown to this day. The report is full and ripe, deep and physical. There is no longer able to go back. The authors who participated in the anthology have taken this aspect Project el'hanno enhanced with their own suggestions. This is undoubtedly the strength of "Wave Abyss."

We can say that Onda D'Abyss is a work of genre? In
Wave Abyss is the fantastic story, what horror, one related to some inspiration derived from authors like HP Lovecraft and EA Poe, but there is adventure, romance and science fiction news. Maybe call it weird new , if you really want to define in a way, is the right thing to do.

How was the selection of authors, and what guidance were provided to them?
I sent invitations to many authors I knew and that thanks to the mixing of worlds for excellence that is Facebook (not to advertise, so it's free) I was able to find quite easily. Many of the authors are part of the Literary Carbonari, a laboratory, to which I belong, which in the past has proposed publishing interesting and these days comes with a work whose stories are inspired by triplets of Dante's Inferno ( Men apart, Eclipse editor). Other teachers have accepted with pleasure to participate because of the peculiarity of the project, and I was filled with deep joy. With some of they had collaborated on the cult- small anthology edited by Demian Bloody Hell, others I contacted them, thanks to some knowledge that has been very useful here. Valerio Evangelisti, then, gave me a gift of his piece, I did develop and "rearrange" the writer collective Pelagius D'Afro, clearly inspired by Lovecraftian I could not hope for better. I take this opportunity to thank all the authors who have participated and even those who have not been part of the project but who have deigned to answer me "spades" with a simple email.

What are the next events for the presentation of the volume?
On July 29, will present a preview " Wave Abyss" in Marzocca of Senigallia (AN). The presentation was part of an annual festival called " Art of Love", but organizers were so impressed by the anthology who have decided to dedicate an exclusive evening at Wave, with music, readings and screening of photographs dedicated Mark Prior to the Sea master, who with his photographic art took in the atmosphere full anthology. I would like to thank him for having given her a shot to the back cover and he appreciated that the cover itself, that is my work. Subsequently, on August 4, Wave will host, along with the aforementioned antologia “ Uomini a Pezzi ”, di una serata di presentazione presso la libreria io Book di Senigallia (AN), con la speranza che le folte schiere di appassionati che percorreranno le strade della città ammaliati dal Summer Jamboree, si lascino trasportare dalle onde e ascoltino il richiamo del sommo poeta. Il 4 settembre, inoltre, Onda sarà presentata in seno al festival Adriatico Mediterraneo, importantissima vetrina culturale che ogni estate attira un considerevole numero di persone.

So che hai appena pubblicato anche un romanzo. Un anno intenso ed importante per te…
Un anno molto importante, è vero. “ Ogni cosa al posto giusto ” è uscito a inizio luglio per Robin edizioni e sta ricevendo molti complimenti dagli appassionati di noir. È una sensazione molto particolare passare davanti alla vetrina di una libreria e vedere il tuo titolo esposto. Mi è successo e per l’emozione quasi non mi sono fermato. Il romanzo è la storia di un vendicatore anomalo, Bruno Pedrini, che muovendosi in una realtà attuale cerca di rendere giustizia a un vecchio prete morente, vittima di un orribile crimine negli anni della sua giovinezza. In questo viene aiutato da personaggi pittoreschi come Berto, un vecchio paralitico che conosce le tre grandi verità della vita, e Silvia, una escort trasformista che non fa altro che mettere il nostro nei guai. Una vicenda frizzante, che però vorrebbe focus attention on the subject of the sick through the faces of those who dedicate their time to these: the victims, heroes, murderers, we're all in this together.


Wave Abyss, Ed Van Gogh's Ear 2010. Authors: Pelagius of Afro inspired by a Valerio Evangelisti, Danilo arona, Alberto Cola, Angie & Andrea Francesca Garello, Alessandro Morbidelli, Elena Vesnaver, Di Bernardo, Ramona Joseph Conrad & D'Emilio, Manuel Maggi, Milena Debenedetti, Marenzana Angelo, Francesco Troccoli, Gabriel Lattanzio, Marinella Lombardi, Cristiana Astori, Igor De Amicis, Marica Petrolati, Alessandro Cartoons, Luigina Sgarro, Chiara Bertazzoni, Mauro Marcialis, Simonetta Santamaria, Paul Agaraff, Badagliacca Bartolomeo, Matteo Severgnini, Sofia Bolognini Lorenzo Trenti Zaffoni Bruno, Mauro Smocovich Sacha & Rosel, Massimo Mongai.